1
00:00:13,399 --> 00:00:15,220
Miss McIntosh, how are you doing?

2
00:00:18,240 --> 00:00:22,980
Oh, yeah. Sorry about that. I've just
been busy on the phone all day with my

3
00:00:22,980 --> 00:00:25,100
agent discussing waterfront properties.

4
00:00:27,060 --> 00:00:29,100
Naturally. So, what time tomorrow?

5
00:00:30,600 --> 00:00:32,080
Great. See you then.

6
00:00:32,340 --> 00:00:37,760
Ciao. Working with you was just amazing.
Thank you so much.

7
00:00:38,280 --> 00:00:39,500
You've been beautiful.

8
00:00:40,300 --> 00:00:42,240
I mean, I think you're sexy as hell.

9
00:00:43,300 --> 00:00:45,220
Oh, my God.

10
00:00:45,680 --> 00:00:46,740
Oh, my God.

11
00:01:16,940 --> 00:01:17,679
Don't be.

12
00:01:17,680 --> 00:01:18,700
You're like a film.

13
00:01:18,980 --> 00:01:19,980
A big break.

14
00:01:22,060 --> 00:01:23,060
Exactly why.

15
00:01:34,140 --> 00:01:36,640
Oh my god, you're Cadence of Lux Films.

16
00:01:37,520 --> 00:01:39,840
Wow, it's nice to meet you. I'm a big
fan.

17
00:01:40,360 --> 00:01:42,880
Aw, that's me. Come on in, girls.

18
00:02:15,590 --> 00:02:16,990
Big house in the hills.

19
00:02:19,290 --> 00:02:22,470
I know it's full moon tonight and all
the stars are aligned.

20
00:02:22,790 --> 00:02:25,430
I have a really good feeling this is
going to be a great show.

21
00:02:26,290 --> 00:02:27,290
Hopefully.

22
00:02:31,730 --> 00:02:33,130
I barely read the script.

23
00:02:35,310 --> 00:02:36,530
It's okay, I got it.

24
00:02:58,130 --> 00:02:59,730
Awesome. Come on in.

25
00:03:04,670 --> 00:03:06,830
Alright, you need to get in your
position.

26
00:03:07,310 --> 00:03:08,310
Grip down.

27
00:03:12,370 --> 00:03:14,050
And... Action.

28
00:03:16,010 --> 00:03:18,010
You know they won't let us be together.

29
00:03:18,810 --> 00:03:21,310
Our hearts are connected by the strand.

30
00:03:22,390 --> 00:03:26,990
And if you were to pull away from me,
the strand would break. And I would

31
00:03:29,630 --> 00:03:30,630
Inwardly. Please.

32
00:03:36,270 --> 00:03:40,830
Yeah, so Kiara, your line is, we can do
this, we'll run away.

33
00:03:41,570 --> 00:03:44,710
I know, I'm just having a deja vu
moment.

34
00:03:46,670 --> 00:03:47,670
Really?

35
00:03:48,930 --> 00:03:50,830
I'm gonna need you to be a little more
focused.

36
00:03:51,290 --> 00:03:53,350
Like how you were when I saw you film
with McIntosh.

37
00:03:54,150 --> 00:03:58,480
I mean, I saw you and I knew you'd be -
perfect for this role and my story.

38
00:03:59,800 --> 00:04:00,820
Your story?

39
00:04:01,880 --> 00:04:06,000
Yeah, I've been writing this script
since last June, actually. I just know

40
00:04:06,000 --> 00:04:10,180
the critics, the viewers, you know, the
award screeners are just going to

41
00:04:10,180 --> 00:04:11,180
freaking eat you up.

42
00:04:11,620 --> 00:04:13,580
So, take it from the top?

43
00:04:14,180 --> 00:04:19,579
No, let's start at Kiara, please. And
Evelyn, I want to see you really play

44
00:04:19,579 --> 00:04:20,579
vulnerable.

45
00:04:21,160 --> 00:04:26,280
The way Macintosh taught me was that you
should take a moment and reenact a

46
00:04:26,280 --> 00:04:29,640
moment in your life and relate that to
how your character is feeling.

47
00:04:30,040 --> 00:04:31,960
You need to portray her as vulnerable,
right?

48
00:04:32,440 --> 00:04:38,500
So close your eyes and grasp at whatever
experience you had that helps you get

49
00:04:38,500 --> 00:04:39,500
in that headspace.

50
00:04:40,780 --> 00:04:44,000
Sometimes I hold my breath before the
director calls action.

51
00:04:45,280 --> 00:04:49,800
We restrict our air intake when we cry,
so if you do that, you'll seem

52
00:04:49,800 --> 00:04:51,380
desperate. and helpless.

53
00:04:52,160 --> 00:04:53,260
Desperate and helpless.

54
00:04:54,040 --> 00:04:55,040
Got it.

55
00:04:56,400 --> 00:05:00,160
Gosh, you seem to know my character
really well.

56
00:05:01,000 --> 00:05:03,640
Almost as if I played her myself.

57
00:05:04,920 --> 00:05:09,060
Okay, ladies, let's get back to your
last position.

58
00:05:10,520 --> 00:05:11,520
Ready?

59
00:05:30,419 --> 00:05:32,000
Please. We can do this.

60
00:05:32,320 --> 00:05:33,320
Let's run away tonight.

61
00:05:34,440 --> 00:05:37,320
You know I want to. But I can't.

62
00:05:37,540 --> 00:05:38,940
Tell me to leave then.

63
00:05:39,700 --> 00:05:41,180
No. No.

64
00:05:41,620 --> 00:05:45,020
Tell me you don't love me. Tell me you
don't ever want to see me again.

65
00:05:45,800 --> 00:05:47,220
You know I could never.

66
00:05:48,100 --> 00:05:49,180
Then let's leave tonight.

67
00:05:51,360 --> 00:05:52,360
Yes.

68
00:06:02,190 --> 00:06:03,350
I need to feel your body online.

69
00:07:16,780 --> 00:07:17,780
Look at me!

70
00:07:18,380 --> 00:07:19,380
Sorry.

71
00:07:20,160 --> 00:07:22,580
Kenzie gave me a rose quartz stone for
focus.

72
00:07:23,120 --> 00:07:25,700
We can insert it into her vagina for
fastest results.

73
00:07:26,500 --> 00:07:30,740
They help with clarity and focus, and
when you insert it deep into your

74
00:07:30,740 --> 00:07:34,900
vagina... No, no, no, no, no, no. We're
not going to be putting stones in

75
00:07:34,900 --> 00:07:36,040
anybody's pussy today.

76
00:07:37,020 --> 00:07:41,340
Look, I think that Evelyn sees a path
for her character, and I think that we

77
00:07:41,340 --> 00:07:44,360
should both follow her lead and see
where it takes us. Okay?

78
00:08:03,420 --> 00:08:04,820
Good.

79
00:09:11,730 --> 00:09:13,870
Your lips are so soft.

80
00:09:40,680 --> 00:09:41,680
Cut.

81
00:09:42,460 --> 00:09:44,260
The new girl keeps looking at the
camera.

82
00:09:44,740 --> 00:09:51,120
Okay, please, Kiara. Let Evelyn have a
moment with the viewers. Be generous,

83
00:09:51,300 --> 00:09:52,300
okay?

84
00:09:52,520 --> 00:09:56,780
I think I'm starting to get into my
character's head. I think she's going to

85
00:09:56,780 --> 00:10:03,040
away with Kiara, but I think her heart
belongs to someone else entirely.

86
00:10:03,820 --> 00:10:05,120
No, Bonehead.

87
00:10:05,460 --> 00:10:06,700
That's not the story.

88
00:10:07,860 --> 00:10:10,040
But... But this is Evelyn's truth.

89
00:10:11,100 --> 00:10:14,200
The woman that she wants is just within
her fingertips.

90
00:10:15,300 --> 00:10:17,040
But she can't have her.

91
00:10:18,420 --> 00:10:21,780
You can't just make up an entirely
different version of the story.

92
00:10:22,460 --> 00:10:24,500
No, no, this is very good.

93
00:10:25,020 --> 00:10:28,420
Evelyn is creating a world for her
character, and I think she's finding her

94
00:10:28,420 --> 00:10:29,420
character's wounds.

95
00:10:29,860 --> 00:10:30,860
Tell me more.

96
00:10:31,300 --> 00:10:36,400
In my character's world, everyone she
loves tells her that she should marry a

97
00:10:36,400 --> 00:10:41,630
man. In fact, her entire life she's been
told what to do ever since she was a

98
00:10:41,630 --> 00:10:44,830
child. From who they say she should
befriend.

99
00:10:45,290 --> 00:10:47,290
What she should study in school.

100
00:10:47,730 --> 00:10:49,150
What she should eat.

101
00:10:49,370 --> 00:10:51,170
What she should and shouldn't wear.

102
00:10:51,970 --> 00:10:53,350
What she should think.

103
00:10:53,970 --> 00:10:57,670
And then she meets Kiara's character.

104
00:10:58,650 --> 00:11:02,590
And Kiara's character has a strong
presence.

105
00:11:03,190 --> 00:11:05,610
And he teaches her...

106
00:11:06,000 --> 00:11:07,000
To rebel.

107
00:11:07,360 --> 00:11:14,340
And the tools that she teaches Evelyn's
character are the tools that end

108
00:11:14,340 --> 00:11:15,340
up tearing them apart.

109
00:11:16,680 --> 00:11:18,360
Our love doesn't end!

110
00:11:19,340 --> 00:11:20,340
Not quite.

111
00:11:21,000 --> 00:11:26,740
You tell me to love you, and like the
follower I am, I go along with it.

112
00:11:27,280 --> 00:11:32,940
But then, Evelyn's character meets a
powerful woman.

113
00:11:34,860 --> 00:11:36,180
Kind of like you, Cadence.

114
00:11:38,260 --> 00:11:43,000
And she teaches her that her thoughts
are of value.

115
00:11:44,040 --> 00:11:45,100
No, stupid!

116
00:11:45,700 --> 00:11:47,360
That's not how the script goes!

117
00:11:49,140 --> 00:11:51,180
Please, Evelyn, continue.

118
00:11:51,680 --> 00:11:57,680
My character and this woman are deeply
attracted to each other. And through the

119
00:11:57,680 --> 00:12:02,260
short time that Evelyn's character and
this woman know each other, they fall in

120
00:12:02,260 --> 00:12:03,260
love.

121
00:12:05,250 --> 00:12:09,270
So, Kiara, I'm going to need you to act
a little more desperate.

122
00:12:10,010 --> 00:12:16,670
I will not look at you, but you can feel
me, your love, slipping away.

123
00:12:17,910 --> 00:12:21,530
So then, you try to win me over with
your sex.

124
00:12:21,970 --> 00:12:27,810
You lick and lap at my pussy,
desperately trying to make me come over

125
00:12:27,810 --> 00:12:32,710
again. Because if you exhaust me, then I
will follow you.

126
00:12:36,699 --> 00:12:42,860
Wow. I want to feel your burden of hurt.
Can you make me feel her?

127
00:12:43,620 --> 00:12:44,620
My pleasure.

128
00:12:46,200 --> 00:12:47,200
Okay, ladies.

129
00:12:47,360 --> 00:12:50,220
All right, let's get back to action here
then, okay?

130
00:12:50,780 --> 00:12:52,640
Back to the last position you were in.

131
00:12:53,600 --> 00:12:54,600
Action.

132
00:13:36,390 --> 00:13:39,190
um um

133
00:14:10,510 --> 00:14:11,189
We're passionate.

134
00:14:11,190 --> 00:14:14,370
We love each other and love.

135
00:15:08,750 --> 00:15:12,050
I want to...

136
00:15:19,080 --> 00:15:20,720
It makes me so wet.

137
00:15:23,220 --> 00:15:26,500
What about me?

138
00:15:26,900 --> 00:15:28,280
You're beautiful.

139
00:15:37,820 --> 00:15:40,560
Your lips are so nice.

140
00:16:08,219 --> 00:16:09,219
Thank you.

141
00:16:59,950 --> 00:17:03,370
I've waited for this

142
00:17:46,020 --> 00:17:47,020
Ha ha.

143
00:18:42,239 --> 00:18:45,600
Oh, my God.

144
00:19:17,350 --> 00:19:18,750
My face and my pussy.

145
00:19:19,390 --> 00:19:22,850
And his eyes right on me.

146
00:19:50,510 --> 00:19:51,510
I got a girlfriend.

147
00:20:24,040 --> 00:20:25,040
Go straight there.

148
00:20:25,280 --> 00:20:26,280
Yeah.

149
00:20:27,380 --> 00:20:29,240
You're doing a little clip.

150
00:20:32,240 --> 00:20:33,740
Such a good job.

151
00:20:35,760 --> 00:20:37,320
Oh, my God.

152
00:20:38,400 --> 00:20:39,440
Oh, yes.

153
00:20:43,620 --> 00:20:49,060
Oh, my God. That looks so good on my
back.

154
00:20:52,200 --> 00:20:53,200
Awesome.

155
00:21:03,950 --> 00:21:05,310
You can do that with her.

156
00:21:05,690 --> 00:21:07,450
Yeah, look up at me.

157
00:21:08,630 --> 00:21:14,090
Oh, my God.

158
00:21:14,710 --> 00:21:19,010
Oh, my God.

159
00:21:19,230 --> 00:21:20,230
Oh, my God.

160
00:21:23,150 --> 00:21:24,150
Oh,

161
00:21:26,910 --> 00:21:27,930
my God.

162
00:21:50,640 --> 00:21:54,060
Oh my gosh.

163
00:21:56,880 --> 00:21:57,880
Wait.

164
00:21:59,640 --> 00:22:00,860
My name's Kiara.

165
00:22:01,720 --> 00:22:03,760
So keep going, girls. Don't break
character.

166
00:22:04,640 --> 00:22:05,920
Next position. Come on, Kira.

167
00:22:07,460 --> 00:22:10,300
I think I know a position that will make
you remember my name.

168
00:22:42,280 --> 00:22:43,280
Thank you.

169
00:23:24,110 --> 00:23:25,590
Oh my god.

170
00:23:26,470 --> 00:23:28,910
Oh my

171
00:23:28,910 --> 00:23:39,330
god.

172
00:23:59,059 --> 00:24:04,740
oh my gosh

173
00:24:30,250 --> 00:24:32,050
Just like that. Just like that.

174
00:30:00,200 --> 00:30:01,200
Thank you.

175
00:33:03,690 --> 00:33:07,890
such raw, passionate emotion flow out of
me like it did today.

176
00:33:08,710 --> 00:33:11,170
Your performance was special.

177
00:33:11,810 --> 00:33:12,870
Very moving.

178
00:33:13,610 --> 00:33:14,609
Thank you.

179
00:33:14,610 --> 00:33:15,610
Thank you.

180
00:33:16,350 --> 00:33:21,410
When can I see you again?

181
00:33:22,270 --> 00:33:25,790
Well, I'm sure the members are going to
love you and we'll be working together

182
00:33:25,790 --> 00:33:26,790
very soon.

183
00:33:26,910 --> 00:33:33,390
I mean, can we go out for a cup of
coffee or a glass?

184
00:33:33,660 --> 00:33:34,680
of wine or two?

185
00:33:34,880 --> 00:33:40,500
Oh, um... It would be an honor. I mean,
I don't want to take up too much of your

186
00:33:40,500 --> 00:33:41,600
time. I know you're busy.

187
00:33:42,260 --> 00:33:48,420
I just... I've been told it's
unprofessional to be friends with the

188
00:33:48,420 --> 00:33:49,420
hire on.

189
00:33:50,620 --> 00:33:51,620
Oh.

190
00:33:52,600 --> 00:33:57,880
I never really thought of you as hiring
me. More like we work together.

191
00:33:59,680 --> 00:34:00,860
I guess I just...

192
00:34:03,310 --> 00:34:06,350
I see you more as a girlfriend rather
than an employer.

193
00:34:07,010 --> 00:34:09,310
I see a similar thread in you.

194
00:34:11,409 --> 00:34:16,310
Yeah. I really... I really want to.

195
00:34:16,790 --> 00:34:18,230
I want to say yes.

196
00:34:18,550 --> 00:34:19,550
Then say yes.

197
00:34:21,270 --> 00:34:22,270
Yeah.

198
00:34:24,230 --> 00:34:25,230
Yes.

199
00:34:26,150 --> 00:34:27,150
Oh.

200
00:34:29,270 --> 00:34:30,830
I'm so sorry. I've got to take this.

201
00:34:31,670 --> 00:34:32,670
Lux homes.

202
00:34:36,750 --> 00:34:39,690
now it's not really the best time.

203
00:34:44,810 --> 00:34:45,810
Alright.

204
00:34:48,449 --> 00:34:53,110
I've got a bit of an emergency with my
friends, so I have to cut this short.

205
00:34:53,389 --> 00:34:54,790
I hope nothing scary.

206
00:34:57,670 --> 00:34:58,670
Goodbye.

207
00:34:59,430 --> 00:35:03,110
Really, really great job again today,
Deb. Right out the back door. I'll give

208
00:35:03,110 --> 00:35:04,110
you a call soon.

209
00:35:05,190 --> 00:35:07,970
I want you to go ahead and get dressed.
I'm going to help you to the door.

210
00:35:32,410 --> 00:35:34,330
I'll be waiting for your call.

211
00:35:36,850 --> 00:35:39,930
Yeah, no, perfect. Great. I appreciate
it. I'll definitely be giving you a

212
00:35:47,830 --> 00:35:49,650
Right out the back door, you go.

213
00:35:51,490 --> 00:35:53,310
Thank you.

214
00:35:53,750 --> 00:35:54,750
Bye.